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In Gallipoli Mission one of the official Australian historians of the war Charles Bean described Lambert's work on the painting:
'Descriptions are all too true,' wrote Lambert to his wife. 'Evidence grins coldly at us non-combatants ... from the point of view of the artist-historian The Nek is a wonderful setting to the tragedy'. The grim, rather beautiful landscape of distant ridge-tops surrounding this upland would be his background, his foreground the patch of level scrub with the line of charging men shown at the moment when, a few yards out from their trench, the full force of the Turk's rifle-fire struck them. As he says, he regarded himself in these works as the artist-historian, and he purposed in this picture to show the reaction of different types of Australian to this shocking experience. There was to be the larrikin; and the gently-bred type; the fair-haired Scandinavian Anzac; the lean countryman, and so on. You see them all in the picture which he painted some years afterwards in Australia from the landscape studies begun that morning on Plugge's Plateau and The Nek.
[Charles Bean, Gallipoli Mission, Australian War Memorial, Canberra, 1948, p109] |